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  2. 1918-2018: 100 Years of Theater Research in Iași
  3. The Actor’s Body as a Performing Space for the Animated Object (from the Perspective of Nicolas Gousseff’s Artistic Beliefs and the Feldenkrais Method in Puppetry)

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1918-2018: 100 Years of Theater Research in Iași's Cover Image
1918-2018: 100 Years of Theater Research in Iași
License
Format
Conference
ISBN
978-3-11-065382-3
First Published
11 Oct 2021
Languages
English
Copyright
© 2019 SciendoThis work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

The Actor’s Body as a Performing Space for the Animated Object (from the Perspective of Nicolas Gousseff’s Artistic Beliefs and the Feldenkrais Method in Puppetry)

access type Accessible
Published Online on: 25 Jan 2019
License
Format
Conference
ISBN
978-3-11-065382-3
First Published
11 Oct 2021
Languages
English
Copyright
© 2019 SciendoThis work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

access typeFrontmatter

access typeContents

access typeThe Mentors’ Legacy

access typeAbout Pedagogy: Generational Theatre

access typeTheatre Research, between to Be or Not to Be…

access typeIdeology vs. Re-Theatricalization. Vasile Alecsandri National Theatre in Iaşi. Documentary: 1947-1971

access typeChirița in the Province - Radiography of a Century. (Iaşi National Theatre - 1952, 1982, 1997, 2018)

access type19th Century Roots of the Scenography in Iaşi, which Left an Impact on the Art of Performance in the Theatre of Iaşi

access typeCensorship in Theatres. System Analysis. The Mechanisms for Creating a Theatre Repertoire. Literary Secretariat - Creator / Maker of Directorial Views

access typeDefining Aspects in Forming the Artistic Personality of the Animation Theatre Actor

access typeAbout the Innovative Role of the Animated Object on the Dramatic Theatre Scene

access typeStyles, Techniques and Interpretations in the Creation of Bunraku Puppets

access typeSchool as a Laboratory

access typeThe Actor’s Body as a Performing Space for the Animated Object (from the Perspective of Nicolas Gousseff’s Artistic Beliefs and the Feldenkrais Method in Puppetry)

access typeThe Expressivity of an Actor’s Speech on and off the Stage

access typePsycho-pedagogical Approaches in the Training of the Acting Student

access typeThe Identity of Romanian Ballet

access typeMatei Vișniec – Romanian Playwright and Promoter of Young Talents

access typeȘtefan Oprea – the Profile of an Authentic Researcher

access typeResearchers for Iași, Revolving around Shakespeare’s Plays

access typeThe Monologue in the Dramatic Text and in the Performance

access typeDramaturgy – Society’s Mirror

access typeTheological and Philosophical Aspects of the Fool in England

access typeInterferences and Connections between Samuel Beckett’s Prose and Theatre – a Few Situations Encountered in My Research

access typeThe Modernity of a Dramatic Art Lecture at the Beginning of the Twentieth Century

access typeBalance and Imbalance in the Process of Research of Gogol’s Characters

access typeThe New Wave of Romanian Independent Theatre: Ethical and Aesthetic Trends

access typeThe New Wave of Independent Theatre in Romania – Some Considerations

access typeTheatricality in the Beginning of the Posthuman Era

access typeTheatre and Creative Industries

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