Editorial Impressions: Feelings of Hybridity

<abstract xmlns="http://www.w3.org/1999/xhtml">There are two types of joke that can be described as fairy tale jokes: those with punchlines that include fairy tale characters, and fairy tale parodies. The paper discusses fairy tale jokes that were sent to the jokes page of the major Estonian internet Web Portal <italic>Delfi</italic> by Internet users between 2000 and 2011, and jokes added by the editors of the portal between 2011 and 2018 (CFTJ). The joke corpus has had different addresses at different times, and was a live ‘folklore field’ for the first few years after creation.Of all the characters, the Goldfish appeared in the largest number of jokes (76 out of a total of 286 jokes), followed by Little Red Riding Hood (72). Other fairy tale characters feature in a 14 or fewer fairy tale jokes each.Several fairy tale jokes circulating on the Internet varied over the period observed. Fairy tale jokes generally get their impetus from the characters and from plots with unexpected outcomes. A seemingly innocent fairy tale character is often linked to a sexual theme: sexuality holds first place as the source of humour in fairy tale jokes, although this may be caused by the so-called genre code of jokes.</abstract>

The Goldfish and Little Red Riding Hood: Characters and their Combinations in Fairy Tale Jokes and Parodies

<abstract xmlns="http://www.w3.org/1999/xhtml">This paper is an attempt to study combinations of tale types using a networks approach and calculating the centrality index of each type (degree, betweenness, eigenvector centrality). The network of tale types seems to take the form of a ‘small world’ with a few types serving as bridges between highly connected sets of tale types. The centrality of each type also seems to depend more on its age than on how widespread it is.</abstract>

Folk-Tale Networks: A Statistical Approach to Combinations of Tale Types

<abstract xmlns="http://www.w3.org/1999/xhtml">The term <italic>ecotype</italic> was first introduced to the field of folkloristics by Carl Wilhelm von Sydow (1878–1952), who proposed the idea that folktales develop from base forms due to transformations triggered by specific environmental conditions before eventually stabilising within cultural districts. The general analogy was popular amongst folklorists who readily invoked the concept to deconstruct a wide range of genres including rhyming couplets, folk ballads, folktales, fairy-tales, personal narratives, legends and urban legends. It is unfortunate, however, that ecotypes have largely been ignored by scholars working in the fields of paremiology, especially when one considers not only the established inter-relationships between proverbial material and other folkoristic genres, but also the recent pioneering cross-cultural analyses of idiomatic expressions in European languages and beyond.This paper will provide a template for the analysis of folk expressions by examining the life history of an Irish ecotype, <italic>tied stones and loose dogs</italic>. It will show that folk expressions are a fertile area of research that can be deconstructed using literary and historical research based on the historic-geographic method. At the heart of this template, I argue, is the need to read texts within their contemporary cultural, historical and socio-economic frameworks to decode meanings according to instantiation, the motivations for their use, and the question of <italic>agency</italic> in folk groups. By collecting, examining and construing inter-relations between folkloristic texts across a range of cultural products – folklore collections, popular culture periodicals and political discourse – and by informed cultural contextualisation of its instantiations, we can re-construct the extensive cultural underpinnings that inform a range of everyday folk expressions.</abstract>

A Life History of the ‘Irish’ Ecotype <italic>Tied Stones and Loose Dogs</italic>

<abstract xmlns="http://www.w3.org/1999/xhtml">Drawing on research for the Pilgrimage and England’s Cathedrals, Past and Present project, this article explores how the project’s medieval case study cathedrals – Canterbury, Durham and York – present their saints and shrines, and how visitors react to and interpret them. While looking at various narratives – predominantly about saints in historical and contemporary contexts – attached to these cathedrals, I also aim to offer some glimpses into how people interact with and relate to space. I argue that beliefs and narratives about saints play a significant role in the pilgrimage culture of the cathedral. I will also explore how the lack of a clear central narrative about the saint leaves a vacancy that will be filled with various other narratives.</abstract>

“The Narrative is Ambiguous and that Location Isn’t the Right Location”: Presenting and Interpreting Medieval Saints Today in Canterbury, Durham and York

<abstract xmlns="http://www.w3.org/1999/xhtml">Missionary work by Pentecostal Finnish Roma (<italic>Kaale</italic>)1 started among the Roma in Estonia during the 1980s. These mission activities, carried out by both Finns and local Roma, intensified over the next two decades and continue today. The article looks into a specific case of how converted (Pentecostal and Baptist) and non-converted (Russian Orthodox, Lutheran, Catholic) Roma women in Estonia conceptualise the practice of fortune telling. For this purpose, the role of fortune telling as a traditional Roma skill and occupation is discussed as a part of the conceptualisation, together with the possible efficacy of fortune telling and its relation to beliefs in magic that also shape the women’s attitudes towards it. Drawing on ethnographic fieldwork, the article argues that although fortune telling is considered satanic by born-again believers and is therefore abandoned, its condemnation is not straightforward in less controlled narration situations, thus posing an extra challenge for Roma women in the conversion process.</abstract>

“Fortune Telling is a Curse on Your Children”: Conver Sion, Fort Une Telling, and Beliefs in Magic Among Roma Women in Estonia

<abstract xmlns="http://www.w3.org/1999/xhtml">This article concentrates on the practice of wearing crystals in Estonia. The practice is currently a popular phenomenon in New Spirituality on a global scale, although it is not an entirely novel trend. Crystals are part of the materiality of New Spirituality and so the aim of the article is to emphasize the meaning-making process of this materiality and of vernacular interpretations in the practice. Following the methodology of material culture studies, I focus on mutual relationships and interaction between humans and crystals and the significances gained through practice. Based on the perspectives of vernacular religion, the practice is embedded in people’s everyday lives. People wear crystals to support their human qualities and daily activities, and in practice crystals as material objects evolve intimate and profound relationship with people.</abstract>

The Practice of Wearing Crystals in Contemporary New Spirituality in Estonia: Supporting Oneself in Everyday Life

Witchcraft and Demonology – Topics, Methods and Trends in Witchcraft Research in Hungary, 2017

AHEAD OF PRINT

Volume 17 (2023): Issue 2 (December 2023)

Volume 17 (2023): Issue 1 (June 2023) The Divine, the Demonic and the Beyond in Belief, Narrative and Practice of Central and East Asia

Volume 16 (2022): Issue 2 (December 2022) Hybrid Beliefs and Identities

Volume 16 (2022): Issue 1 (June 2022)

Volume 15 (2021): Issue 2 (December 2021)

Volume 15 (2021): Issue 1 (June 2021)

Volume 14 (2020): Issue 2 (December 2020)

Volume 14 (2020): Issue 1 (June 2020)

Volume 13 (2019): Issue 2 (December 2019)

Volume 13 (2019): Issue 1 (June 2019)

Volume 12 (2018): Issue 2 (December 2018)

Volume 12 (2018): Issue 1 (June 2018)

Volume 11 (2017): Issue 2 (December 2017)

Volume 11 (2017): Issue 1 (June 2017)

Volume 10 (2016): Issue 2 (December 2016)

Volume 10 (2016): Issue 1 (June 2016)

Journal of Ethnology and Folkloristics

The Journal of Ethnology and Folkloristics (JEF) is the joint publication of the Estonian Literary Museum, the Estonian National Museum and the University of Tartu. JEF is an international, double-blind peer reviewed multidisciplinary forum for creative, inspiring and cutting-edge academic contributions. Addressed to an international scholarly audience, JEF is open to contributions from researchers all over the world. We aim to encourage discussion of the socio-cultural diversity of the whole world in a thought-provoking, imaginative and experimental scholarly spirit. JEF publishes articles in the research areas including but not limited to ethnology, folkloristics, museology, cultural and social anthropology, sociology, semiotics, history, human geography, cultural studies, heritage studies, and critical theory. JEF aims to offer both theoretical and empirical insights to deepen and advance our understanding of society and culture. The journal encourages contributions that use various disciplinary perspectives and theoretical and methodological approaches. JEF welcomes contributions analysing empirical data as well as theoretical and methodological contributions, critical literature reviews of current research as well as papers engaging in creative or applied practice. In addition to full-length articles the journal also welcomes research notes and book reviews.  Rejection Rate:   69%   Plagiarism Policy  The editorial board is participating in a growing community of Similarity Check System's users in order to ensure that the content published is original and trustworthy. Similarity Check is a medium that allows for comprehensive manuscripts screening, aimed to eliminate plagiarism and provide a high standard and quality peer-review process.  Open Access Statement  JEF is issued two times per year, both in print format and online. The journal provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge.　  Description of the review process:　  Journal of Ethnology and Folkloristics is a peer-reviewed journal. All submissions are initially evaluated by the editors and can be desk-rejected at this stage. Submitted research articles that meet the academic and journal’s editorial standards will be read and reviewed by at least two anonymous referees. JEF is using double-blind review, meaning that the author and reviewer identities are concealed from each other throughout the process. Based on the reviewers’ written reports, the Editor-in-Chief and the Editors can accept, reject, or request minor or major modifications to the manuscript.  JEF has neither article submission nor article processing charges.  Archiving  Sciendo archives the contents of this journal in Portico - digital long-term preservation service of scholarly books, journals and collections. 

Journal of Ethnology and Folkloristics

Volume 13 (2019): Issue 1 (June 2019)

Editorial

Editorial Impressions: Feelings of Hybridity

Articles

The Goldfish and Little Red Riding Hood: Characters and their Combinations in Fairy Tale Jokes and Parodies

Folk-Tale Networks: A Statistical Approach to Combinations of Tale Types

A Life History of the ‘Irish’ Ecotype Tied Stones and Loose Dogs

“The Narrative is Ambiguous and that Location Isn’t the Right Location”: Presenting and Interpreting Medieval Saints Today in Canterbury, Durham and York

“Fortune Telling is a Curse on Your Children”: Conver Sion, Fort Une Telling, and Beliefs in Magic Among Roma Women in Estonia

The Practice of Wearing Crystals in Contemporary New Spirituality in Estonia: Supporting Oneself in Everyday Life

Notes and Reviews

Witchcraft and Demonology – Topics, Methods and Trends in Witchcraft Research in Hungary, 2017

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