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This essay explores the diffractive relationship between Aleksandr Bogdanov and Otto Neurath. Using a diffractive methodology derived from Karen Barad, these two thinkers are brought into relationship through their impact upon the German Figurative Constructivists, a political-art movement which emerged from the Council Communist current grouped around the Berlin review Die Aktion. This yields a contextualization of both Bogdanov and Neurath within the political environment that arose within Social Democracy in the first third of the twentieth century. This interpretation provides a basis for how tektological approaches can be implemented in the age of digitized information.