12 Artikel
Uneingeschränkter Zugang | 27. Dez. 2021
Murderous Masculinities the Early Republic of Charles Brockden Brown’s Wieland
Uneingeschränkter Zugang | 27. Dez. 2021
Reproductive Racism in Danielle Evans’s “Harvest:” Black, Chicana, and White Motherhoods in the Context of Reproductive Rights Discourses
Uneingeschränkter Zugang | 27. Dez. 2021
Speaking with the Dead: The Sick Chick and the Psychic Crypt in Gail Honeyman’s Eleanor Oliphant is Completely Fine
Uneingeschränkter Zugang | 27. Dez. 2021
Nan King’s Orientation in Sarah Waters’s Tipping the Velvet : A Journey of Gender and Sexual Self-Discovery Following “The Slantwise Direction of Queer Desire”
Uneingeschränkter Zugang | 27. Dez. 2021
Female Authority Figures in Dorothea Tanning’s Chasm: A Weekend
Uneingeschränkter Zugang | 27. Dez. 2021
“Are You a Bad Boy?”: Variations of the American Adam in David Lynch’s Blue Velvet
Uneingeschränkter Zugang | 27. Dez. 2021
The Role of Gender in the History of the Professional Development of South African Nursing and Nursing Organisations
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Uneingeschränkter Zugang | 27. Dez. 2021
Imperial Identity Seen Through Art. The Case of Maria Theresa – Considerations
Uneingeschränkter Zugang | 27. Dez. 2021
BOOK REVIEW: Susan Watkins. Contemporary Women’s Post-Apocalyptic Fiction . London: Palgrave Macmillan, 2020, 220p. ISBN 978-1-137-48649-3
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