Introduction : La phénoménologie française vers la métaphysique

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The same subjectivity that makes the world appear belongs, as an integral part, to that which it makes appear, so that there is no alternative between the phenomenological involvement of the world by subjectivity and the ontological involvement of subjectivity by the world. These are the two faces, already abstract, of a fundamental and original situation, in other words, a primitive fact or an archifact. We have thus transported the correlation to the terrain of the world in the form of a double position of the subject, which I have further formulated metaphorically through the distinction between being before and being within. So, what does it mean to belong to the world, or rather, what are the senses of belonging implied by the fundamental situation we have just described?
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O absoluto fenomenológico

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This article examines the relationship between French phenomenology of art and metaphysics. More specifically, it highlights four points. Firstly, French phenomenological aesthetics is characterized by a certain ignorance of the renewal of artistic questioning initiated by Anglo-Saxon aesthetics. Secondly, French phenomenology of art is a metaphysics of art, which considers that works of art contain an ontological (cosmophanic or theophanic) revelation. Thirdly, French phenomenology of art is part of the “theological turn of French phenomenology”. Authors tend towards theology or “cosmotheology”. Fourthly, French phenomenology of art, which is a metaphysics of the sensible, possesses the theoretical means to think philosophically about conceptual art.
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French Phenomenology of Art and Metaphysics

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Starting again from Descartes' philosophy, our intention in this article is not to leave phenomenology, but to return to it in order to shed new light on how it encounters metaphysics and revives it. It is a question of inscribing French phenomenology in another history of metaphysics, one that is underground and unofficial and which lives, in truth, from that very thing that completes the other or which the other completes. Initially, we will focus on Jean-Luc Marion's reading of Descartes from the paradigm offered by Heidegger. Secondly, we would like to replay the confrontation between Descartes and Pascal. Only in the third stage, then, will we be able to return to how metaphysics, most often assumed as such from its Cartesian configuration, has worked under the surface of the phenomenology its French representatives received from Husserl and Heidegger. Levinas can often serve as an exemplary figure.
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La phénoménologie française ou résistances de la métaphysique

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The recent liberation of phenomenology’s “metaphysical” word seems to us to present a twofold risk: on the one hand, that of leading us to lose in intension what they will have made us gain in extension - what exactly does the term “metaphysical” mean here, and can we even hope to provide an exact definition? On the other hand, it would convert our former reservations, which may indeed have been excessive, into a temerity that would ultimately be no less so. The aim we have set ourselves here must therefore be modest: to attempt to avert this twofold risk by first equipping ourselves with a clear and unambiguous concept of what is or could legitimately be understood by the term “phenomenological metaphysics; to show then how and why phenomenology, rightly or wrongly, but without really realizing what was preventing it from doing so, has never really managed to do so; to indicate finally the question that a “phenomenological metaphysics” conforming to its concept would have to ask, and to which it would have to commit itself to answer.
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The Other of Correlation (Small Prolegomena to any Future Phenomenological Metaphysics)

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In this article, I intend to show, first of all, that the metaphysical neutrality of the <italic>Logical Investigations</italic> leads to untenable consequences and even threatens the coherence of Husserl's project. In truth, Husserl's distinction between phenomenology and metaphysics and its corollary, the pure and simple exclusion of metaphysical problems - such as that of the reality of the so-called external world - from the field of nascent phenomenology, make it impossible to give a satisfactory form to a problem as central to this new discipline as that of perception. However, my final word will not be on the indis-soluble link between the problems that phenomenology poses for itself and those that Husserl would like to be able to "purify" it from the outset. However permeable the boundaries between these two general directions of research may be, phenomenology and metaphysics are not equivalent. Phenomenology can even be said to contribute to formulating and solving certain metaphysical problems, starting with the idealism/realism antithesis. It is to this contribution that I will devote the second part of these reflections.
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Idéalisme/réalisme : une distinction métaphysique ?

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In this article, I intend to show, first of all, that the metaphysical neutrality of the <italic>Logical Investigations</italic> leads to untenable consequences and even threatens the coherence of Husserl's project. In truth, Husserl's distinction between phenomenology and metaphysics and its corollary, the pure and simple exclusion of metaphysical problems - such as that of the reality of the so-called external world - from the field of nascent phenomenology, make it impossible to give a satisfactory form to a problem as central to this new discipline as that of perception. However, my final word will not be on the indissoluble link between the problems that phenomenology poses for itself and those that Husserl would like to be able to “purify” it from the outset. However permeable the boundaries between these two general research directions may be, phenomenology and metaphysics are not equivalent. Phenomenology can even be said to contribute to formulating and solving certain metaphysical problems, starting with the idealism/realism antithesis. It is to this contribution that I will devote the second part of these reflections.
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Idealism/realism: A metaphysical distinction?

Book Review: Jocelyn Benoist. <italic>Von der Phänomenologie zum Realismus. Die Grenzen des Sinns</italic>. Tübingen: Mohr Siebeck. 2022, 177 S.

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Phainomenon

Phainomenon is an international journal specializing in phenomenology.  It was founded in 2000 and has been published since then with the support of the Center of Philosophy of the University of Lisbon, Portugal.  Phainomenon seeks to contribute to the development of phenomenological studies worldwide, stimulating original work in all fields of phenomenological research, as well as in the areas where phenomenology crosses paths with other philosophical traditions and scientific domains. Phainomenon also seeks to contribute to a better cognizance and understanding of the phenomenological tradition – both of its authors and its themes – accepting works that advance our comprehension of it.  Phainomenon publishes works in English (recommended), Portuguese, Spanish, French, Italian, and German. Contributions are accepted following a double or single-blind peer review process, always with external reviewers.  The current publisher of Phainomenon is SCIENDO, which belongs to De Gruyter Verlag,  Regularly, the journal has two sections: a general section, where papers are continuously received and published; and a thematic section, preceded by an announcement and a call for papers, sometimes under the responsibility of guest editors. The thematic section usually has a comprehensive theme, intended to encompass other philosophical traditions, as well as other disciplines belonging either to the social and human sciences or to the natural sciences.  Moreover, Phainomenon publishes book reviews and bibliographical notes and, though not on a regular basis, translations into Portuguese of fundamental texts belonging to the intellectual patrimony of phenomenology. Phainomenon is published twice a year, in Spring and Fall. All articles, notes, translations, reviews and other content can be accessed and downloaded for free thanks to our open access policy.  Phainomenon is financed through Portuguese national funds through FCT - Fundação para a Ciência e a Tecnologia, I.P., in the scope of the project UIDP/00310/2020.  ArchivingSciendo archives the contents of this journal in Portico - digital long-term preservation service of scholarly books, journals and collections.  Plagiarism Policy  The editorial board is participating in a growing community of Similarity Check System's users in order to ensure that the content published is original and trustworthy. Similarity Check is a medium that allows for comprehensive manuscripts screening, aimed to eliminate plagiarism and provide a high standard and quality peer-review process.  Journal SponsorshipCentro de Filosofia da Universidade de LisboaFacultade de Letras da Universidade de LisboaFundação para a Ciência e a Tecnologia - Portugal 